#That 10 con is bad. My man is blowing over from a gust of wind

[drownedrow]

20 INT vs 14 INT do you ever think he was like omfg banging my head against the wall stfuuuu I know it was prob less when he was at HOH but still…

[glenngaylord]

MY MOMENTS OUT OF TIME IN FILM 2017

Instead of a Top 10 List, every year I like to honor a long-discontinued but influential annual column from Film Comment magazine. I couldn’t wait for my father to come home from work with the “Moments Out Of Time” issue.  The writers would cite their favorite scenes, images, or lines of dialogue, even from films they may not have liked, because let’s face it, even bad films may have a great moment or two, unless you were a film called RINGS, CATFIGHT, THE SNOWMAN, or THE DINNER.  In that case, you suck in the most forgettable of ways. Despite some obvious stinkers, this was a great year for film. Some resonated with me, such as I, TONYA and THE FLORIA PROJECT as they tackled the issue of class in America.  Despite being period pieces, films such as DARKEST HOUR and THE POST pinged on topics such as war-mongering and the need for a free press, both of which we seem to talk about daily right now.  I have a few I need to catch up on, such as MUDBOUND and THE SQUARE, and one I recently saw, A GHOST STORY, wowed me, but I haven’t written a review of it yet.  

Even I can’t see them all, so here, in no particular order, are my Moments Out Of Time in film for 2017:

“America. They want someone to love, but they want someone to hate, and the haters always say, 'Tonya, tell the truth!' There’s no such thing as truth. I mean it’s bullshit! Everyone has their own truth.” - I, TONYA

A little girl (the great Brooklyn Prince) stands in front of a motel room door, telling her little friends they’re not allowed to enter.  She pauses, and then mischievously says, “But let’s go anyways!”  in a moment of pure rebellious, but dangerous joy. - THE FLORIDA PROJECT

A young man (Lucas Hedges) begs his girlfriend (Saoirse Ronan) not to out him in one of the most touching moments of the year. - LADY BIRD

A woman (Cynthia Nixon’s blazing portrayal of Emily Dickinson) desperate to connect with someone, anyone, lights up whenever she’s around her soon-to-depart friend.  It’s a joy you wish she could have at all times.  It’s that ache to spar with another human that cuts to the core of this lonely tragedy. - A QUIET PASSION.  

Try watching the “I did not hit her” rooftop filmmaking sequence without bursting with glee.  One of the best-sustained comedy sequences of the year. - THE DISASTER ARTIST

A beautiful, long final shot of a young man (Timothée Chalamet) swimming in his tearful thoughts as the end credits role will break your heart. - CALL ME BY YOUR NAME

So will his father’s (Michael Stulbarg) 11th hour speech to him. - CALL ME BY YOUR NAME

A ghost in a white sheet with two eye holes, who has traveled across time for centuries, finally finds something important, which jogs his memory, making him feel less alone in the world, and then in a startling swish, is gone. - A GHOST STORY

Meryl Streep, in the most delicious long pause of 2017, struggles with the tough decision whether to publish the Pentagon Papers or not.  She conveys every pro and con with a series of reactions, leaving the audience breathless until she finally, and thrillingly, becomes a feminist heroine for the ages. - THE POST

Sure, it’s ostensibly Daniel Day-Lewis’ last film, but it’s the women, one with a deadening stare (Leslie Manville) and the other with the best eye flutter I’ve ever seen (Vicky Krieps), who take charge of this fascinatingly perverse story of control. - PHANTOM THREAD

A cleaning woman (Octavia Spencer) dusts a giant steampunk contraption as her mute co-worker looks on, sending the increasingly magical fable into a visually stunning dreamscape. - THE SHAPE OF WATER

“You know I can’t give you the keys, right babe?”  A chilling line in a scene in which a sympathetic, engaging character transforms into a monster, making Allison Williams, so often hated and too easily dismissed on GIRLS, as someone to REALLY watch as her career rises and rises.  - GET OUT

A beloved, iconic character from the original film makes a stunning, surprise appearance.  Despite it being CGI, this was the movie-movie moment of 2017. - BLADE RUNNER 2049

A bellicose, raging Prime Minister, known for his speeches, sits quietly with the square-ish frame filled with dark, negative space and seemingly lit by a single, too-bright light bulb.  He’s alone and yet belongs to us all, the push-pull of this theme resonating throughout the entire film. - DARKEST HOUR

“This didn't put an end to shit, you fucking retard; this is just the fucking start. Why don't you put that on your Good Morning Missouri fucking wake up broadcast, bitch?” - THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Bill Skarsgård’s reading of the line, “Take it!” will haunt me for years. His Pennywise proved to be surprisingly haunting and indelible. - IT

The film’s not great, but Christopher Plummer and Ridley Scott deserve all the “We’re Not Worthy’s” for pulling off the Great Kevin Spacey Replacement of 2017 in 9 days, and actually delivering a full-bodied, memorable character in the process. - ALL THE MONEY IN THE WORLD

A desperate thief uses his smarts to wheel his badly-injured brother out of the hospital in an impressive feat.  It shows a whip-smart mind in the body of  person with lost potential, and in a moment which proves this well-meaning guy just can’t get a break, it turns out he took the wrong person. - GOOD TIME

Michael Cera, even more villainous and sociopathic than he was in THIS IS THE END, and apparently channeling Tobey Maguire, freaked me out as a hateful, poker-playing celeb. - MOLLY’S GAME

Ok, people will be talking about the biplane scene forever, but nothing made me laugh more than Tiffany Haddish’s reading of this line:  “Girl, you can't get no infection in your booty hole! It's a booty hole!” - GIRLS TRIP

Bridget Everett, in a blazingly intense performance, sings the shit out of Lita Ford’s KISS ME DEADLY in a dive bar and transforms herself from comedienne to serious dramatic actor. - PATTI CAKE$

A crazed woman (Aubrey Plaza) barges in on the wedding of a social media friend and maces her for not getting on the invite list, giving the Facebook effect its full and insane due. - INGRID GOES WEST

A young woman, unable to take one more second of her overbearing, judgmental mother (Laurie Metcalf), surprisingly jumps out of a moving car. - LADY BIRD

Charlize Theron kicks one ass after another in a seemingly single shot (but not really), making this one of the greatest fight sequences ever filmed. - ATOMIC BLONDE

Algee Smith finds the heart of the story as a musician who struggles with his ambitions after a harrowing all-night encounter with racists cops. - DETROIT

Say what you will about the insanity that unspools, but Michelle Pfeiffer as the houseguest from hell was fun to watch and sorely missed when not onscreen. - MOTHER!

As Elton John’s ROCKET MAN plays on the radio, Bille Jean King (Emma Stone) and her new girlfriend Marilyn (Andrea Riseborough) drive in sun-dappled glory, their hair blowing around with each surprising gust of wind.  It’s a perfect evocation of the 70s. - BATTLE OF THE SEXES

After following around an imaginative, enterprising man (Michael Keaton as Ray Kroc) as he develops the most successful fast food chain in the world, and seeing his as a hero, he transforms into a terrible villain about halfway through, making us question the value of the American Dream. - THE FOUNDER

A suicidal Spud, his head covered in suffocating plastic, leans back in his chair and falls backwards off the top of a building, but a flash cut send him to the floor of his apartment where Renton (Ewan McGregor) slides under him to catch him.  One of the most imaginative, emotional cuts in a film I’ve seen this year. - T2 TRAINSPOTTING

Don’t heckle Kumail Nanjiani!  Holly Hunter WILL read you to filth by interjecting, “That is like saying that all frat boys wearing country club hats and Hawaiian shirts have shriveled up  tiny little dicks!” - THE BIG SICK

A young man throws himself down in the sand as bombs explode closer and closer to him. A spectacular feat of cinematography and muffled sound, and one of the greatest shots in cinema history. - DUNKIRK

A mother kicks the chair her little daughter sits in, sending her flying.  A sudden, impactful depiction of abuse. - I, TONYA

Tom Cruise emerges from a crashed plane, his face hilariously covered in cocaine. - AMERICAN MADE

A seemingly sweet young man (Barry Keoghan, my favorite new actor of the year) changes his entire demeanor and quickly, chillingly tells a doctor (Colin Farrell), in no uncertain terms, what is going to happen to him and his family. - THE KILLING OF A SACRED DEER

The best opening sequence award of the year easily goes to a film which mixed musical filmmaking with kinetic car chases and an endearing sense of rhythm. - BABY DRIVER

Eels creepily slither around a woman in a tub in an otherwise completely forgettable, indulgent film - A CURE FOR WELLNESS

Adam Sandler winningly loses his shit as he searches for a parking space. - THE MEYEROWITZ STORIES - NEW AND SELECTED

“See!  I took you on a safari!” exclaims Brooklyn Prince to her friend as they stand in front of a herd of cattle. - THE FLORIDA PROJECT

An ape, bigger than ever portrayed before, emerges out of nowhere and swats down helicopters like flies as the camera gloriously swirls around him.  It’s APOCALYPSE NOW’s famous attack scene, but this time the invaded kick the invaders’ asses. - KONG: SKULL ISLAND

A messy trainwreck of a person (Anne Hathaway) lugs a mattress around town and literally confronts her inner demons. - COLOSSAL

A major character unexpectedly spits up blood on another, in a shocking moment (and there are a few in this film) I’ll remember for a long time. - THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

French ACT-UP AIDS activists throw blood all over the offices of a pharmaceutical company, and heroically help change the speed at which drugs were approved for a population in desperate need of good news. - BPM

Despite being a thrilling adventure film, the quiet moments, such as the wonderful final shot of a woman walking out of a room and into the jungle, made this stirring yarn into something more internal and thoughtful. - THE LOST CITY OF Z

By this time, we’ve seen too many cars racing around, so instead we focus on the pleasure of seeing a dreadlocked Charlize Theron deliciously chewing the scenery from the evil lair of her jet, sending her into Faye Dunaway territory. - THE FATE OF THE FURIOUS

The unexpected death of a major star, as a gelatinous, alien creature slides down his throat, destroying him from the inside out in zero gravity, may feel straight out of the ALIEN textbook, but it’s memorable nonetheless. - LIFE

I’m usually not a sucker for Disney movie songs, but I have not been able to get EVERMORE out of my head ever since I saw the film, and I mean that in a really good way. - BEAUTY AND THE BEAST

Same goes for Elvis Costello’s fantastic contribution with YOU SHOULDN’T LOOK AT ME THAT WAY, from a beautiful but not-great movie. - FILM STARS DON’T DIE IN LIVERPOOL

Instead of the chestburster, we get the backbreaker, and instead of John Hurt, we get a character we don’t care about…but it STILL manages to be freaky and cool in an otherwise execrable film. - ALIEN: COVENANT

Can we please distribute LICK MY ASS, DIANE t-shirts to every person on earth, or at least make it THE trending hashtag of the year?!! - I, TONYA

Gal Godot donning the titular, classic costume for the first time in the film, charges through the emotional No Man’s Land sequence and into our hearts. - WONDER WOMAN

A seemingly liberal father over-explains his love for Obama to his daughter’s new black boyfriend (Daniel Kaluuya), who makes the Dad feel ok about his issues with race.  It keenly pinpoints the struggle people of color have trying to make white people more comfortable about their discomfort. - GET OUT

Willem Dafoe’s Manager expertly takes charge of a potential child molester, demonstrating his heartwarming, soulful protection of the lovable but annoying little brats who live in his motel. - THE FLORIDA PROJECT

The camera whooshes from ground level to an overhead shot as a determined skater prepares for an important routine. - I, TONYA

Yes, the movie is an unholy mess, but Hong Chau’s “I go to Norway” speech is just a little masterpiece. - DOWNSIZING

Feet moving on red splotches of sand as they battle with their light sabers. - STAR WARS: THE LAST JEDI

A return to the iPhone footage he used in TANGERINE pays off perfectly in the final sequence, a rush of imagination, and a surprising and unforgettable place to take your little survivor of a main character, even if it’s potentially just a fantasy.  It doesn’t change the fact that a neglected but loved little girl wants a little escape. - THE FLORIDA PROJECT